June 20, 2014 § 1 Comment
Responding to a Los Angeles Times article about the San Diego Zoo’s new tiger habitat, a letter-writer averred, “Animals in captivity show us nothing of the true behavior they would exhibit in their natural habitats. A captive wild animal can only show us the loneliness and boredom they experience, day in and day out, for the entirety of their miserable lives.”
Is this true?
We all know there are captive wild animals who live in horrible conditions. Let’s take them out of the discussion right now; nobody in their right mind thinks that’s okay. But what about the thousands of wild species held by keepers with the best of intentions?
If you’re looking for a definitive answer, you can stop reading now. I don’t have one. But I visited the Los Angeles Zoo & Botanical Gardens a few weeks ago and have these observations.
- If I had stopped at the lion habitat only, I would agree with the letter-writer. Despite being newly refurbished, the exhibit held a bored lion who paced around and around the too-small enclosure, mounted his mate, then paced some more.
- The river otter habitat in the new Rainforest of the Americas section lies at the other end of the spectrum; it’s an expansive and varied landscape with pools large and small. (The day I visited, however, it interested them not at all: They were too busy learning how to escape, making their way over a waist-high gate and out onto a ledge overhanging their glass-walled pool.)
Did the otters go AWOL because they were dissatisfied with their new digs? Or are they simply rascals whose impulsive curiosity led them to test their limits? I’d vote for the latter.
- Then there’s the Red Ape Forest where the beautiful, smart orangutans brachiate along artificial vines strung high over a grassy landscape through which a brook flows.
Eloise is one of its residents. She was brain-damaged at birth and lives with a cerebral palsy-like disorder.
Eloise probably would have died in the wild. At the zoo, she receives Rolls Royce medical care that has kept her alive and mobile.
- The LA Zoo also houses a number of koalas, who sleep 16-20 hours a day–as do koalas in the wild–because their diet of eucalyptus requires so much digestion time. Are they really less happy sleeping in the shade of a eucalyptus tree in Los Angeles than in the Australian outback?
- Same goes for Reggie the alligator. Inside his enclosure, he does pretty much what alligators do: bask in the sun and eat, albeit without hunting for his food. What “true behavior” would we like him to exhibit? Stalk, capture, and eat a small mammal–like that toddler leaning against the enclosure fence?
- As for the new(ish) elephant habitat, I’m agnostic. It’s much larger and more stimulating than the old barn-like exhibit, yet Billy continues his neurotic davening, repetitively bobbing up and down, while the girls, Tina and Jewel, do a lot of standing around.
Unfortunately, alternatives to captivity i.e., life in the wild, are diminishing due to habitat destruction. Corporate greed is responsible for much of this encroachment; the desperation of small farmers fuels still more. It takes a BIG effort to turn a population from poaching to protectors. And what if those animals we—safe in our First World habitats—would like to see protected are predators? Who is willing to take the place of villagers beset by tigers?
Which brings us full circle, back to San Diego’s tigers. Their new habitat, the letter-writer scoffed is not for them but for “the general public’s entertainment.” Perhaps. But I can’t think of a better way to stimulate Americans–whose consumption of 25 percent of the world’s resources is behind the greed that fuels habitat destruction–to support conservation efforts so that we don’t arrive at the point where the only place “wild” animals exist is in zoos.
N.B. The Los Angeles Zoo raises money for and actively participates in a number of programs to preserve endangered species.
September 8, 2013 § 1 Comment
Sunday, September 1, the curtain came down on Independent Shakespeare Company’s 10th season of free performances.
That’s a metaphoric curtain, of course, since ISC performs on a bare bones, temporary stage in a natural amphitheater located where Griffith Park’s old zoo once stood.
We were there, cheering along with approximately 996 others, at the conclusion of As You Like It, the third of this year’s ISC’s productions, which included She Stoops to Conquer and Macbeth.
The actors in AYLI were brilliant, as usual, although the staging was a little flat and static in places. No matter; the company’s venture into Restoration comedy (She Stoops to Conquer) was cleverly done and Macbeth’s Melissa Chalsma and Luis Galindo nailed the lead couple’s unbridled and desperate ambition.
We’ve attended ISC performances for maybe eight years and, over time, seen actors grow and productions expand. The fairy costumes for 2012’s Midsummer’s Night Dream deserved an award for their gold lame weirdness, which conveyed the scary-dream nature of the queer beings that wore them. ISC fight scenes are always beautifully choreographed (if that’s not an oxymoron), Macbeth’s being exceptionally bloody this year.
ISC’s apocryphal tale of their origins is that at their first performance, the audience consisted of 14 people and a dog—and the dog left at intermission. That doesn’t happen now. L.A. has discovered that Thursdays through Sundays throughout the summer, sitting in front of the ISC stage is the place to be. The company reports that 43,000 people attended this year’s performances.
I think of ISC as “the little Shakespeare company that could.” Melissa Chalsma and David Melville came to L.A. and started with almost nothing but determination and a wonderful rapport with Shakespeare’s language. I especially appreciate how they showcase actors of diverse ethnicities and races and reach out to audiences across language, class and race.
Luckily, ISC has found a permanent home in Atwater Crossing so their productions will continue through the winter. Cyrano, Romeo & Juliet, plus David Melville’s old chestnut, A Christmas Carol with Charles Dickens are on the schedule.
As for me, I’ve already marked June 24 on my 2014 calendar, ready for next season’s Twelfth Night, Richard III, and Taming of the Shrew.
This just in: ISC’s Thank You for Coming video.