November 8, 2016 § Leave a comment
Remember when I wrote about a neighbor who was “unclear on the concept” of transitioning from a water-hog front yard of grass to one with low water-using plantings? (No? You can read about it here.)
My complaint was that the spread of gravel substituted for grass might have met the letter of the California Friendly® Landscape Incentive Program, but not its spirit. Granted, the new yard had a few drought-tolerant plants scattered about. They were hardly enough, however, to create the “friendly landscape” promoted by the Los Angeles Department of Water & Power and Metropolitan Water District. Those rocks would not convert CO2, a greenhouse gas, to user-friendly oxygen or be good at capturing rainwater. In fact, they would absorb heat and increase temperatures.
Turns out, I was on to something.
Bloomberg Businessweek recently featured an investigation into what the two water agencies got in return for their $428 million incentive program. The story focused on the work of a company called Turf Terminators that banked 12 percent, $44 million, of that pot o’ gold, the largest single share.
Turf Terminators was created by a couple of 20-something entrepreneurs who jumped into the program just as the MWD raised its rebate from $1 to $2 a square foot in 2014. City residents can get an additional $1.75 from the LADWP for a juicy total of $3.75 for every square foot of lawn removed. The company’s pitch to homeowners was that in return for rights to whatever rebate was owed them, Turf Terminators would replace their lawns for free. And Turf Terminators would even handle the paperwork.
Technically, the company should not have been in the rebate game: Landscapers were required to be in business three years in order to participate. Turf Terminators solved this problem by buying out a contractor who’d been around for a while and, presto change-o, the subsidies began to flow.
Turf Terminators claimed that in less than two years, it removed 16 million square feet of grass from 12,000 lawns. Not everyone was happy with the results, however, and they vented on Yelp. This lament from a Porter Ranch homeowner was typical.
So here’s the deal: before you hire anyone to rip up your yard consider the implications of what that means. Your front yard will look like a crappy gravel parking lot or an abandoned drive-in theater. If your grass already looked bad then this just might be an improvement.
Not the case for me. My, once, lush beautiful green yard now looks like it’s only missing an abandoned car on blocks then the image would be complete.
Having a gravel yard hasn’t saved me any money. My LADWP bill is pretty much the same.
I can’t say for sure if my neighbor’s yard is a Turf Terminator creation, but it fits the profile: a few plants, a lot of gravel, and, over time, weeds poking up through a supposedly impermeable barrier. Customers also reported broken drip irrigator controls and plantings that failed to thrive, even after multiple replacements.
The MWD was well aware of these problems. Emails obtained by Businessweek through FOIA requests show that MWD staffers “griped about the slapdash nature of the of the [rebate] applications.” Lawn sizes looked inflated and photographs didn’t match what was at the listed address.
Staff also knew about the quality control issues. When a city councilman invited media outlets to observe Turf Terminators replacing his lawn, an MWD resource specialist took a look at photos of the new yard and compared the dense plantings there with a redone yard in her own neighborhood. “They obviously knew the job was at a council person’s, because it doesn’t look like any other project out there,” Businessweek quotes from her email to the program director.
In May 2015, the MWD board met to consider whether to extend the program beyond its initial $88 million funding, which had been gobbled up in less than a year. During public comment period, community and environmental activists communicated their concerns about inappropriate landscaping. Their critique would be echoed a month later in an L.A. Times Op-Ed by noted landscape architect Mia Leher and colleagues. They said in part:
Gardens and lawns act as air conditioning for L.A., which is only getting hotter with climate change. Plants and trees provide shade and transpire moisture to cool the air; gravel and artificial turf don’t. In fact, they create the opposite of a virtuous cycle: Fewer plants means more heat, and more heat means faster evaporation from watering, swimming pools and vegetation. More heat also means more water to support the same landscape.
Yet the MWD board went ahead and committed an additional $340 million without any requirements on how lawns should be replaced or with what.
Just a few months later, in July 2015, all of the new money had been promised to applicants and MWD called a halt to the program. (The LADWP continues their incentive rebate of $1.75/square foot.)
The water district professes to be pleased with the outcome of their incentive program. They reckon a potential savings of 7.5 billion gallons of water per year. Yet as Leher and her colleagues tried to tell the agency, calculating water savings is a complex business. They advocated instead “rainwater harvesting, gray water reuse and recycling water from sewage treatment plants” to reduce the use of potable water for watering. “Incentivizing turf removal and not reuse is shortsighted.”
A week after the MWD turned off the rebate spigot, Turf Terminators announced it would accept no new customers. The company completed jobs already “incentivized,” then laid off most of its 450 workers.
As criticisms of their work grew, the company subsequently hired a public relations firm that calls itself “a leader in crisis management of all types.” Businessweek’s request for an on-record interview with Turf Terminators principals was refused.
The men behind Turf Terminators have not exactly folded their tents and slipped away into the night. Rather they’ve formed a new company from the ashes of the old: a contractor services firm called Build Savings. Its website invites homeowners to hire Build Savings to install “money saving home upgrades. The LADWP provides rebates for some elements of such upgrades.
As evidence that their company was competent to do such work, an early iteration of the Build Savings website asserted it had successfully “completed 12,000 installations.”
Perhaps realizing that truth in advertising was warranted, that claim has been removed.
October 4, 2016 § Leave a comment
I’m not a scene-ster. I don’t go to rock shows that start at 10 p.m. I didn’t score tickets to Desert Trip (AKA OldChella). Although I’ve lived in Silverlake for more than two decades, I’ve never set foot in Spaceland. (Or the Echo for that matter.)
So I was surprised to find myself in the midst of such a scene at Walt Disney Concert Hall this past Saturday. Food trucks parked on Grand! Scads of people–mostly young–moving in, out and around WDCH! Beer tastings in the Cafe! Drums and pianos in the garden!
It was the LA Phil’s first-ever 12-hour celebration of New Music, Noon to Midnight, curated by the godfather of New Music, John Adams, the Phil’s “Creative Chair.” For a mere $15, you had eight hours to feast on great works of contemporary music played inside and out of Disney Hall by up-and-coming local groups like wild Up and Jacaranda Then, beginning at 8, with a separate ticket to the LA Phil’s Green Umbrella concert, you got four world premiers conducted by Adams plus a wild Up after-concert concert of yet more premiers.
And then there were the crickets. From 9 to 11 p.m., a microphone amplified the sounds of 1,000 caged live crickets placed in the center of BP Hall, “calling to remembered landscapes that evoke the poetics and politics of place.”
The entire event was like that: immensely creative, a little wacky, brilliant, thought-provoking, annoying, and more.
Before giving a downbeat for the evening concert, John Adams took a microphone for some off-the-cuff remarks. When Green Umbrella concerts began in 1988, he said, New Music wasn’t even a blip on L.A.’s music horizon. Citing the number of youthful ensembles that had assembled themselves in L.A. over the past decade, he declared that New Music’s time had arrived. And it was happening here–not Brooklyn or San Francisco–in Los Angeles.
At which the unusually large audience applauded with enthusiasm, me included.
July 26, 2016 § Leave a comment
India was usually the country named, though China occasionally received a nod. And then my mother would add, “In my day, it was starving Armenians.”
Until much later, I had no idea who Armenians were, where they lived, or why they were starving. Now I find myself living amongst the largest concentration of Armenian Americans outside of Russia—214,000 residents of Greater Los Angeles claim Armenian heritage— and next door to Glendale, where an estimated 40 percent of the population has Armenian roots.
I now know that Armenians were starving because during WW I, Turkish officials rounded up as many as 1.5 million Armenian citizens of the Ottoman Empire and either slaughtered them outright or force-marched them into desolate regions where they slowly succumbed to disease, malnutrition or exposure.
Dawn Anahid MacKeen, who grew up in Glendale’s Armenian diaspora, has written the astonishing account of one man who, against all odds, survived the genocide: her grandfather Stepan Miskjian. The Hundred-Year Walk, An Armenian Odyssey, was published earlier this year by Houghton Mifflin Harcourt.
It is a deeply personal tale, interwoven with her own story of how she came to learn the details of Stephan’s arduous journey, eventually retracing his route through Turkey and into the deserts of what is now Syria and Iraq.
Cliche though it is, I have to say that if Stephan’s life were made into a movie, no one would believe it.
For two years, he, along with hundreds of thousands of others, were herded further and further from population centers, always alert to opportunities to earn a bit of bread or a place in someone’s shelter. Stepan escaped what was to be the final death march by slipping away in the dark and walking six days through the desert with no food and only two cups of water.
It was a superhuman feat but not the end of Stepan’s trials. He was recaptured and had to escape again—not once but several times over. Eventually he found his way to the camp of a powerful Bedouin sheik who sheltered him until the Ottoman empire’s war effort collapsed and Stepan was able to make his way back to his hometown and remaining family members.
The Hundred-Year Walk is a richly detailed narrative, a visceral testimony to suffering that is not easily forgotten.
I now understand why my mother, born in 1910, would have been encouraged to “remember the starving Armenians.”
Here’s what puzzles me, though: If a little girl in far-off Altoona, Pennsylvania, knew about the calamity befalling Armenians, how is it that one hundred years later, the Turkish government and many of Turkey’s citizens still cannot see it for what it was: genocide?
July 5, 2016 § Leave a comment
Maybe I just don’t like 365’s parent company, Whole Foods Markets.
You’ve heard the common complaint, that the stores should be called “Whole Paycheck” because of the high prices.
But I’ve got a few more grievances:
- John Mackey, a Whole Foods founder and current co-CEO, is an anti-union, libertarian jerk who felt so strongly about Obamacare that he wrote a Wall Street Journal op-ed opposing it.
- Mackey expanded Whole Foods by scooping up regional chains, e.g. Fresh Fields in No. Virginia and Mrs. Gooch’s in SoCal, to create a near monopoly on what we used to call health food stores. Independent stores, with clerks who knew you and their products, got pushed out of business.
- Whole Foods masquerades as a health food store but is actually an up-scale big-box merchandizer selling gourmet products to a monied constituency.
And now along comes 365, designed to cut costs by requiring only 100 employees to operate, as opposed to the typical Whole Foods Market that employs 250 to 500 workers. The preponderance of prepackaged produce and a DIY regimen for what isn’t—customers must weigh and tag their own, a task done by check-out clerks at Whole Foods Markets—also cut labor costs.
The company says prices at 365 are cheaper than at Whole Foods, but that’s more appearance than reality. The store brand—365—dominates inventory; shoppers looking for high-priced specialty items won’t find them. A Los Angeles Times consumer review of five basics found 365’s priced about the same as Trader Joe’s.
Whole Foods is gambling on the success of its 365 stores. According to the L.A. Times, full-sized Whole Food Markets open a year or more have shown three straight quarters of declining revenue; this year’s sales are flat. Shares are trading at less than half their $65 high in the fall of 2013. The company has announced its intention to open five more 365 locations in SoCal.
The company is upfront about banking on Millennials to pull them out of their hole. The stores employ technology Millennials have grown up with: iPads to place orders with the store kitchen and a wine section where you find reviews by scanning labels with a smartphone.
And then there’s the not-too-subtle marketing. The company ran three full-page ads targeting Millennials in the Times’ “Saturday” section just before opening day. They border on being parodies of themselves: good-looking young people, not all of them white and some of them tattooed, with phrases such as “good choices,” “good times,” “good vibes,” and “good things” liberally sprinkled about.
Seriously, could they get any more effing annoying?
April 21, 2016 § Leave a comment
I can’t be the only one who grabs the California section of the L.A. Times each morning and races through to the obituaries.
In part it’s a response to aging: mortality seems so much more real than it did even 10 years ago. I check out ages of the deceased, do the calculations, think, “Okay, 94, that sounds good. Hmm, 83, I could accept that.” As if I actually could bargain for longevity.
Mostly, though, I read obituaries because they are mini-biographies, often fascinating glimpses into another’s otherwise private life. Written by a family member or friend, they attempt to sum up a life, say what made the person special. Not that that’s possible in 200 or so words, but those left behind try because that’s how we honor people we love.
There’s a certain predictability to many of the obituaries. Men are summed up through their careers, women by their families and volunteer work (unless they’re under 60, in which case careers also matter). In lieu of corporate success, hobbies, athletic accomplishments, travel, and pets’ names are mentioned.
Language, too, tends towards the conventional. The deceased has “gone home to the Lord.” They “bravely battled cancer” and “adored” their grandchildren. They were universally “loved and admired.” She/he married after meeting “the love of her/his life.” * It seems important to survivors to mention, when they can, that their loved one “died peacefully at home, surrounded by family,” which often leads to thanks and appreciation of the (usually Filipina or Latina female) caregivers who enabled the deceased to stay at home.
Even if spoken in platitudes, the stories these obituaries tell hint at interesting lives well lived. Folks arrive here from far-flung places: Skopje, Yugoslavia; Chuquicamata, Chile; County Donegal, Ireland; Tokyo, Japan, brought by parents or lured by jobs or relatives or the Golden State mythos.
I marveled at the man from Belfast, Ireland, for instance, who emigrated to the U.S. as a youth and served in the Air Force during WW II as navigator bombardier. He not only survived 30 missions over Germany but lived to be 100.
Occasionally, a good piece of writing appears, usually written by friends. A painter and print-maker was recently eulogized as “playful with his grandchildren and demanding of his students. He inspired all who knew him to expand their horizons and to accomplish more than they believed possible.”
More rare still are the profiles that detail a life not spent climbing the corporate ladder, such as the Japan-born, 18th generation Pure Land Buddhist priest who, later in life, studied in Switzerland and returned to Los Angeles as a Jungian analyst.
For all the richness of L.A. Times’ obituaries, many, many lives are unremarked upon. Prices for death notices start at $105 for five lines and go up from there. It’s a very white crowd one reads about, with just a sprinkling of Black people and Japanese-Americans. Latinos show up mostly when the Sheriffs benevolent society posts a notice about one of their own.
No, the obituary section is neither democratic nor truly representative of our community. Given that death is the most universal of all life experiences, isn’t this a most ironic shortcoming?
March 27, 2016 § 2 Comments
Earlier this month, when the Los Angeles Master Chorale presented the West Coast premiere of Anthracite Fields, Julia Wolfe’s 2015 Pulitzer Prize-winning oratorio about coal mining, it was the sort of performance that leaves you stunned, riveted to your seat—until you leap to your feet to applaud.
Perhaps Anthracite Fields resonated so deeply because I grew up in Central Pennsylvania when coal was still king.
Every fall, a driver for Arnold Fuel Co. backed one of its orange dump trucks perpendicular to the house, thrust a chute through a ground-level window, and released its load. Those small, oily black chips flooding into our coal bin fascinated me. In them was the mysterious power that kept us warm, a material substance transmuted by fire into heat, leaving rough pebbles of ash that my brother would shovel into tubs to be placed at the curb for disposal.
Anthracite was prized because it’s high carbon content and low level of impurities caused it to burn cleanly, which did not prevent a film of gritty black dust from accumulating on interior window sills that my sister and I had to dust every Saturday.
The word “oratorio” suggests Baroque stylings of Handel’s Messiah. Anthracite Fields, in contrast, is a contemporary piece, majestic in its own way, full of dissonance and surprising harmonies, spoken word, recitativo, and video projections. Singers were accompanied by a sextet of amplified instruments and implements that included bicycle wheels whose spokes provided the sound familiar to every kid who’s ever clipped a playing card to the fork of his bike.
Anthracite Fields takes us into the world of the men and boys who brought anthracite to the surface and of the women who labored to sustain households under the ever present threat of loss occasioned by cave-in or explosion. In fact, Wolfe begins her composition with a sung list of names she culled from an official compendium of all who died in coal mines between 1869 and 1916.
Consequences of coal mining were commonplace throughout the Pennsylvania of my youth: massive spoil piles of waste rock, rivulets of bright orange acidic fluids streaming from old mine sites, sudden ground subsidence, underground fires that could burn for decades.
Mining put so much debris into waterways that by the time the Susquehanna River rolled by Harrisburg, there was profit to be made sending a barge along the shore to dredge coal waste for resale. Swimming in the river from City Island’s concrete beach meant stepping into mushy piles of granular coal.
What I did not know until hearing Anthracite Fields was that until the 1920s, boys as young as 8 or 9 worked 10 hours a day, six days a week plucking debris from the torrent of coal pieces pouring down chutes in the breaker mill. The oratorio memorializes these “breaker boys” who earned, c. 1902, 65 cents a day, which might be reduced to as little as 25 cents when rent was deducted.
You would be forgiven for imaging that Anthracite Fields refers to a world that no longer exists. Yet in many parts of the U.S., residents can boot up their computers and recharge their cell phones, turn on a light or put clothes in the dryer, only because somewhere, coal is being burned. In Los Angeles, coal supplies 33 to 40 percent of the electricity provided by the L.A. Department of Water and Power, our city-owned public utility.
True, here are no more breaker boys and pollution control devices have significantly reduced the amounts of sulfur and ash that once poured out of power plant smoke stacks. But every year, the two generating stations serving Los Angeles* spew into the air more than 700 pounds of mercury, a powerful neurotoxin, which makes its way into our waterways and up the food chain into us. Other by-products include massive amounts of carbon dioxide as well as nitrogen and sulfur oxides.
Anthracite Fields includes an excerpt of testimony given by John L. Lewis, president of the United Mine Workers, before Congress in the mid-1930s. It’s worth considering his words:
If we must grind up human flesh and bones in the industrial machine that we call modern America, then before God I assert that those who consume the coal and you and I who benefit from that service because we live in comfort, we owe protection to those men and we owe the security to their families if they die.
To which I would add that we must also protect those who live with the environmental consequences of mining and burning coal. And, of course, the Earth itself.
*Intermountain Power Plant, in southern Utah, and the Navaho Generating Station in northern Arizona.
March 3, 2016 § 1 Comment
That’s how I felt meeting the Lakota counselor at a summer camp where I worked. And that’s how it was with Big Ern.
His full name: Ernest Shepard III and his reputation preceded him. About three years ago, my partner Joe told me he had met this amazing guy. “He spent 45 years in prison and now he’s working with Youth Justice Coalition.”*
Meeting the formerly incarcerated wasn’t anything new—Joe himself was a Vietnam-era federal prisoner, in for draft resistance, and is deeply involved with criminal justice reform movements—but forty-five years! I couldn’t imagine it.
Plus, a hefty sentence like that might mean an unnervingly hefty crime, though it was hard to know. Sentences often don’t match the violation and it’s a breach of prison etiquette to ask, “What are you in for?”
Anyway, Joe said Ernie was okay and that was enough. We invited him to our Christmas open house and were delighted that he came.
It was immediately clear how Ernie got his nickname— he was tall, robust, muscled—and seen on the street, he could appear intimidating. In fact, he was gentle and kind.
That Christmas, Ernie mentioned that his father had been a musician, that a clip of him playing with the Duke Ellington orchestra was posted on YouTube. I pulled out a laptop and we all watched a performance of “Take the A Train,” with an extended solo by Ernest Shepherd pere playing the bass and scat singing. The man was good! And his son was so proud.
In the months afterwards, I’d get reports about Big Ern from Joe when he’d run into him at demonstrations or county supervisors’ meetings where Ernie spoke up on behalf of the formerly incarcerated. One Saturday, I tuned into Geri Silva’s KPFK radio program, “Think Outside the Cage,” and heard Ernie’s warm baritone. He sometimes spoke haltingly, not because he didn’t know what to say but because he was reaching deep inside himself to access wisdom that had come from decades of struggle.
Through the grapevine, I learned Ernie was was working with the Fair Chance Project, “a movement led by liberated lifers (formerly incarcerated men and women), prisoners and loved ones of term-to-life prisoners organized around the demand for just sentencing laws and fair parole practices.”
That’s what Ernie was doing on Friday, February 19, waiting for an elevator that would take him to a Fair Chance meeting, when untreated cancer claimed him. He had celebrated his 71st birthday only the week before.
Since his death, I’ve learned more about Ernest Shepard’s life. He grew up in segregated Los Angeles, in the Black community surrounding Central Avenue. He was academically accomplished, but, as he told YJC students, “Like a lot of Black youth, I wanted to be a student, but I was forced to be a fighter.”
In one of those fights, another man died, and though manslaughter would have been an appropriate charge, the prosecutor called it second degree murder and demanded the death penalty.
Ernie spent three years on death row, but studied the law, filed a writ, and was granted a new trial. He then represented himself in court, getting his sentence reduced to 7-years-to life. Lamentably, “tough on crime” policies kept him in prison decades beyond seven years.
I last saw Ernie at a theater performance by former prisoners. During the panel discussion that followed, he said that to remain whole while locked up he’d had to do a lot of inner work. To be free, he told us in an impassioned voice, “You’ve got to FREE YOUR MIND.”
Coming from anyone else, this would have sounded New Age-y and glib. But from Ernest Shepard III, with a lifetime of struggle behind him, it was Truth with a capital T.
The panel ended shortly after Ern’s pronouncement because what more was there to say?
A memorial for Ernie will be held on Saturday, March 5, 2016 in Hardy Hall, 6501 Crenshaw Blvd., Inglewood.
You can see Big Ern yourself in this five-minute video interview shot in 2012 by Robert Corsini.
* From their Facebook page: “The Youth Justice Coalition (YJC) is working to build a youth-led movement to challenge race, gender and class inequality in the Los Angeles County juvenile injustice system.” Their continuation high school is located at Chuco’s Justice Center, 1137 E Redondo Blvd., Inglewood, California.